{"id":2134,"date":"2020-02-23T13:53:32","date_gmt":"2020-02-23T18:53:32","guid":{"rendered":"https:\/\/montjoies.com\/?p=2134"},"modified":"2022-10-29T18:05:05","modified_gmt":"2022-10-29T22:05:05","slug":"electroacoustique-canadienne","status":"publish","type":"post","link":"https:\/\/montjoies.com\/electroacoustique-canadienne\/","title":{"rendered":"\u00e9lectroacoustique canadienne"},"content":{"rendered":"\n<figure class=\"wp-block-embed alignwide is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"La Machine \u00e0 Sauvageau\" width=\"560\" height=\"420\" src=\"https:\/\/www.youtube.com\/embed\/ThzpMIoBlbs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n<a href=\"https:\/\/montjoies.com\/wp-content\/uploads\/2020\/02\/902061ar-Copy.pdf\" class=\"pdfemb-viewer\" style=\"\" data-width=\"max\" data-height=\"max\" data-mobile-width=\"0\"  data-scrollbar=\"none\" data-download=\"on\" data-tracking=\"on\" data-newwindow=\"on\" data-pagetextbox=\"off\" data-scrolltotop=\"on\" data-startzoom=\"100\" data-startfpzoom=\"100\" data-toolbar=\"bottom\" data-toolbar-fixed=\"on\">902061ar-Copy<br\/><\/a>\n<p class=\"wp-block-pdfemb-pdf-embedder-viewer\"><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"PELOQUIN \/ SAUVAGEAU - Monsieur l&#039;indien\" width=\"560\" height=\"420\" src=\"https:\/\/www.youtube.com\/embed\/7y0UVAfIbq8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/daily.redbullmusicacademy.com\/2016\/09\/jean-sauvageau-claude-peloquin-feature\" target=\"_blank\">The Machine and the Poet : P\u00e9loquin et Sauvageau<\/a> (2016)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Micheline Coulombe Saint-Marcoux; Zones (1972)\" width=\"560\" height=\"420\" src=\"https:\/\/www.youtube.com\/embed\/nc3_OuT_H3s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Micheline Coulombe Saint-Marcoux : Alchera\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/07q-3MyIAkM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Micheline Saint-Marcoux: H\u00e9t\u00e9romorphie\" width=\"560\" height=\"420\" src=\"https:\/\/www.youtube.com\/embed\/ExfkhNhoVyw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><a href=\"https:\/\/electrocd.com\/en\/artiste\/coulombesaintmarcou_mi\/Micheline_Coulombe_Saint-Marcoux\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Micheline Coulombe Saint-Marcoux<\/a> was born in Notre-Dame-de-la-Dor\u00e9, in the Lac Saint-Jean region of Qu\u00e9bec, on August 9, 1938. Her childhood, close to nature and filled with family song, was to influence her later electroacoustic work in its exploration of the voice (<a href=\"https:\/\/electrocd.com\/en\/oeuvre\/13853\/Micheline_Coulombe_Saint-Marcoux\/Arksalalart%C3%B4q\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Arksalalart\u00f4q<\/a>) and its evocation of natural landscapes (<a href=\"https:\/\/electrocd.com\/en\/oeuvre\/13855\/Micheline_Coulombe_Saint-Marcoux\/Mousti%C3%A8res\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Mousti\u00e8res<\/a>).<\/p>\n\n\n\n<p>To extend her musical training, she moved to Montr\u00e9al in 1958 to study at the Institut Cardinal-L\u00e9ger, with Yvonne Hubert. She then studied composition with <a href=\"https:\/\/electrocd.com\/en\/artiste\/champagne_cl\/Claude_Champagne\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">Claude Champagne<\/a> at the \u00c9cole de musique Vincent-d\u2019Indy, from 1960 to \u201963, and with Clermont P\u00e9pin at the Conservatoire de musique de Montr\u00e9al, from 1963 to \u201967. In October 1982, in an interview with Lyse Richer (1984), Coulombe Saint-Marcoux credited P\u00e9pin with developing her organization of compositional form, and said of Champagne that he gave her the opportunity to write openly what she had been doing for a long time in secret. (&#8230;)<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"&quot;Electronic Music by Canadian Composers, Volumes 1 &amp; 2, Music Canada Vol XIII&quot; [CP-192\/192.5]\" width=\"560\" height=\"420\" src=\"https:\/\/www.youtube.com\/embed\/YbUa2i4yhF4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"An Alternate History of Canadian Electronic Music (1956\u20131981)\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kwhn-aN5shE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"033. Men Without Hats, \u201cThe Safety Dance\u201d (1982) [Greatest Hits]\" width=\"560\" height=\"420\" src=\"https:\/\/www.youtube.com\/embed\/5wi4g0pKlAw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/media.redbullmusicacademy.com\/assets\/unnamed-1.8c748fb9.jpg?auto=format&amp;w=700\" alt=\"https:\/\/media.redbullmusicacademy.com\/assets\/unnamed-1.8c748fb9.jpg?auto=format&amp;w=700\"\/><\/figure><\/div>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\">MARCELLE DESCH\u00caNES<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Marcelle Desch\u00eanes - Lux\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xTjaZphB9kg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Marcelle Desch\u00eanes - Big Bang II\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/lmK5bmON-W8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><a href=\"https:\/\/daily.redbullmusicacademy.com\/2016\/10\/early-electronic-music-in-quebec\">E<\/a><a rel=\"noreferrer noopener\" aria-label=\":\/\/daily.redbullmusicacademy.com\/2016\/10\/early-electronic-music-in-quebec (opens in a new tab)\" href=\"https:\/\/daily.redbullmusicacademy.com\/2016\/10\/early-electronic-music-in-quebec\" target=\"_blank\">arly electronic music in Quebec<\/a> (by Roger Tellier Craig for Red Bull Music Academy, 2016)<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtu.be\/Tnf_PJ9v2IY\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Bernard Bonnier, &quot;Casse-t\u00eate&quot; [CP-049]\" width=\"560\" height=\"420\" src=\"https:\/\/www.youtube.com\/embed\/8uHakt46WEs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-embed alignwide is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"[CP 219 CD] Contes \u00c9lectroniques (En Couleurs), CAPAC Musical Portrait (Excerpt) by alphastate.nyc\" width=\"560\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F957099043&#038;show_artwork=true&#038;maxheight=840&#038;maxwidth=560\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">ANN SOUTHAM<\/h2>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"580\" src=\"https:\/\/montjoies.com\/wp-content\/uploads\/2020\/03\/AnnSoutham1997-1-1024x580.jpg\" alt=\"\" class=\"wp-image-2516\" srcset=\"https:\/\/montjoies.com\/wp-content\/uploads\/2020\/03\/AnnSoutham1997-1-1024x580.jpg 1024w, https:\/\/montjoies.com\/wp-content\/uploads\/2020\/03\/AnnSoutham1997-1-300x170.jpg 300w, https:\/\/montjoies.com\/wp-content\/uploads\/2020\/03\/AnnSoutham1997-1-768x435.jpg 768w, https:\/\/montjoies.com\/wp-content\/uploads\/2020\/03\/AnnSoutham1997-1-1200x680.jpg 1200w, https:\/\/montjoies.com\/wp-content\/uploads\/2020\/03\/AnnSoutham1997-1-600x340.jpg 600w, https:\/\/montjoies.com\/wp-content\/uploads\/2020\/03\/AnnSoutham1997-1.jpg 1275w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Ann Southam, CM (4 February 1937 \u2013 25 November 2010) was a Canadian composer and music teacher. She was born Winnipeg, Manitoba in 1937, and lived most of her life in Toronto, Ontario. Her father, Kenneth Gordon Southam, was a great-grandson of newspaper baron William Southam.She began composing at age 15 after attending a summer music camp at the Banff School (now known as The Banff Centre). She studied composition with Samuel Dolin at the Royal Conservatory of Music. She studied piano with Pierre Souvairan and electronic music with Gustav Ciamaga at the University of Toronto from 1960 to 1963. She began teaching at the Royal Conservatory of Music in 1966.She was a founding member, first president (1980\u201388), life member (2002) and honorary president (2007) of the Association of Canadian Women Composers.<\/p>\n\n\n\n<p>Southam&#8217;s early works are lyrical atonal pieces written in a Romantic style, and lyricism remained an important element of her later electronic scores. She also worked with 12-tone techniques.<\/p>\n\n\n\n<p>In 1966 she was introduced to Patricia Beatty, a Canadian choreographer who had just returned from studying modern dance in New York. Shortly afterward, Southam began working on a new score for Beatty&#8217;s adaptation of Macbeth and the two became friends. In the 1980s, Southam began developing an interest in music by American minimalists Terry Riley and Steve Reich. Her composition <em>Glass Houses<\/em> (1981) is constructed from short tonal units that combine and re-combine, creating an overall sense of lyricism.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ann Southam - Boat, River, Moon (1974)\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/28eE8xp8QDE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Canadian Composer Ann Southam\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0JMfacfEPjw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ann Southam - Seastill\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/fU7KwxBPSe4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Rivers: Sets 1-2: Rivers, Sets 1-2: Set 2: No. 4\" width=\"560\" height=\"420\" src=\"https:\/\/www.youtube.com\/embed\/XsrZUSLMicU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The Machine and the Poet : P\u00e9loquin et Sauvageau (2016) Micheline Coulombe Saint-Marcoux was born in Notre-Dame-de-la-Dor\u00e9, in the Lac Saint-Jean region of Qu\u00e9bec, on August 9, 1938. Her childhood, close to nature and filled with family song, was to influence her later electroacoustic work in its exploration of the voice (Arksalalart\u00f4q) and its evocation [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2137,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,13],"tags":[167,179,180,77],"_links":{"self":[{"href":"https:\/\/montjoies.com\/wp-json\/wp\/v2\/posts\/2134"}],"collection":[{"href":"https:\/\/montjoies.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/montjoies.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/montjoies.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/montjoies.com\/wp-json\/wp\/v2\/comments?post=2134"}],"version-history":[{"count":1,"href":"https:\/\/montjoies.com\/wp-json\/wp\/v2\/posts\/2134\/revisions"}],"predecessor-version":[{"id":7684,"href":"https:\/\/montjoies.com\/wp-json\/wp\/v2\/posts\/2134\/revisions\/7684"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/montjoies.com\/wp-json\/wp\/v2\/media\/2137"}],"wp:attachment":[{"href":"https:\/\/montjoies.com\/wp-json\/wp\/v2\/media?parent=2134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/montjoies.com\/wp-json\/wp\/v2\/categories?post=2134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/montjoies.com\/wp-json\/wp\/v2\/tags?post=2134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}