And I do survey the land
And I did become the Reaper with my own bare hands+
For I am Wodan
Though, some call me Hermes
Some call me Roman Mercury
God of cargos
God of weather
Hanging God of boundaries
Hanging God of Gibbet Hill
Killing God of hidden doorways
Spinning the yarn from Wansdyke to Silbury
Spinning the taelbook, telling the tale
Telling the tellbook to all and sundry
Keltiberians and Irish Gael
Then I hear camp followers bellow afar
Their shrieking lament for Johnny Guitar:
“Look to the farthest far horizon
Look to the bloodlust deepest scar
Look to the scattering Brythonic uprising
For this be the wall of Johnny Guitar
There be the ditch that you shall die in
Here be the wall that I shall cry on
Ditch dug with antler and ox bone shovel
This rising wall that shades our ancient hovel.”
Look to the north a quick mile yonder
Look to our Yggdrasilbury
Look to the Saxon chasing Viking
Look to the Norman chasing Saxon
Look to the German chasing German
German German German German
Here in the bloodlust deeper scar
For here be the wall of Johnny Guitar
“Play your gloom axe Stephen O’Malley
Sub bass clinging to the sides of the valley
Sub bass ringing in each last ditch and combe
Greg Anderson purvey a sonic doom.”
To rage in sound this valiant despair
Doom and gloom as each a splendid pair
To rage in sound the valiant despair:
Not Abraham
Not Moses
And not Christ
Neither Jove to whom we sacrificed
Not Attis
Not Mohammed
But to hilltop Thor
We rave and dance and weep and we implore:
Look to the farthest far horizon
Don’t blame the messenger
Don’t blame the messenger
Look to the farthest far horizon
Don’t blame the messenger
Don’t blame the messenger
For I am Death so Ragnarock with me
For I am Doom so Ragnarock with me
And I stood upon Wan’s Dyke
And I did survey the land
And I did become the Reaper with my own bare hands…
And then I was King Vikar with his arms outstretched
And then I was King Vikar with his broken neck
And then I was the villain and the victim and the priest
Was grim misunderstanding and was grim as death itself
My Wall My Wall caught in the thrall of my Wall
My Wall My Wall caught beneath the thrall of my Wall
Here in the bloodlust deeper scar
For here be the wall of Johnny Guitar
Here in the bloodlust deeper scar
For here be the wall of Johnny Guitar
Play your gloom axe Stephen O’Malley
Sub bass ringing the sides of the valley
Sub bass climbing up each last ditch and combe
Greg Anderson purvey a sonic doom
Stand in the thrall
Stand in the thrall
Stand in the thrall of my tidal wall
Stand in the thrall
Stand in the thrall
Stand in the thrall of my tidal wall
Stand in the thrall
Stand in the thrall
Stand in the thrall of my tidal wall
Mothers to your bosoms
Grab your child and sing
As to your breasts cascade and sing:
Brothers and fathers
Down to the thing in the middle of the town
To judge at the thing
These the effeminate priests of Frey
That don their drag
And shriek through the day
That drag their God through the muddiest fields
Spilling seed to raise the yields
These the odd castrated womb-men
On this onerous land of no men
There the infernal priestess of Freyja
These her people layer on layer
There the infernal priestess of Freyja
Visiting the farms
The seething seer
Visiting the farms
And rarely leaving
Mounting the tumulus
The people grieving
Dodens doddering dead and dying
Hear the modest priests of Ing
Who’s harkening always let us sing
That let’s us free our tightest waistband
Let’s us fertilise our own land
Spunked entire nations from one phallus
Spunked the vegetation into being
Spilled the super seed into the one day superceded earth
Old Mother Fucker
She was a cocksucker
To give her poor family a home
Went down on their ding dong
And drank for a sing song
But ended her sad life alone
Around the church in Yatesbury the dead
Lie scattered underneath the sacred yew
As Sheila the Witch attending Sunday prayer
Praises a God but never tells them who
And from my Wall observing Sheila the Witch
Praises her God but never explaining which
And every Monday night by the light of Moon
Those Meddlesome meddlesome meddlesome bells
And the heavy metal of the heathen bells
Meddlesome meddlesome meddlesome bells
And the bad heavy metal of the heathen bells
Meddlesome meddlesome meddlesome bells
And the heavy metal of the heathen bells
Meddlesome meddlesome meddlesome bells
And the bad heavy metal of the heathen bells
And Doggen can testify to my claim
That the Christians of Yatesbury are Christian in name
But their stomping pounding actions attest
To their Christianity happiest at rest
And Doggen who played at the John Stewart Hall
Can attest that its keeper is the heathenest of all
Is a shapeshifter tending to her hogweed hidden
And her dear Paul wallows in the village pond nay midden
For all of us are boundaried by Wan’s Dyke at the west
And the great world hill which spies us and can never let us rest
Bringing on Iranian Mithra
From its home beneath the east
Caught always in the thrall of my Wall
Caught always in the thrall of my Wall
Stand in the thrall
Stand in the thrall
Stand in the thrall of my wall
Stand in the thrall
Stand in the thrall
Stand in the thrall of my wall
Stand in the thrall
Stand in the thrall
Stand in the thrall of my wall
Here in the bloodlust deeper scar
For here be the wall of Johnny Guitar
Here in the bloodlust deeper scar
For here be the wall of Johnny Guitar
Play your gloom axe Stephen O’Malley
Sub bass ringing the sides of the valley
Sub bass climbing up each last ditch and combe
Greg Anderson purvey a sonic doom…
Don’t blame the messenger of gloom
Don’t blame the messenger of doom
For this be the Ragmarockingest aeion
In stillness O’Malley and Anderson play on… play on… play on…
2 years ago
0:00 Song begins in A sharp
0:41 synthesized “wee wee” sound
0:45 wind-like sound starts
4:04 chord change to A
4:08 return to A sharp
4:15 chord change to D
4:19 chord change to C (or C sharp, not sure)
4:23 return to A sharp
4:37 chord change to A
4:41 return to A sharp
4:51 chord change to D
4:53 chord change to C (or C sharp, not sure)
4:57 return to A sharp
5:13 chord change to A
5:18 return to A sharp
5:27 chord change to D
5:31 chord change to C (or C sharp, not sure)
5:36 return to A sharp
5:51 chord change to A, with louder guitar and more wind
5:55 return to A sharp
6:03 chord change to D
6:07 chord change to C (or C sharp, not sure)
6:11 return to A sharp
6:27 chord change to A, with wind at a higher pitch
6:31 return to A sharp
6:39 chord change to D
6:42 chord change to C (or C sharp, not sure)
6:47 return to A sharp
6:59 chord change to A
7:03 return to A sharp
7:10 chord change to D
7:13 chord change to C (or C sharp, not sure)
7:18 return to A sharp
7:31 chord change to A
7:35 return to A sharp
7:45 chord change to D
7:48 chord change to C (or C sharp, not sure)
7:52 return to A sharp
8:06 chord change to A
8:10 return to A sharp
8:17 chord change to D
8:21 chord change to C (or C sharp, not sure)
8:25 return to A sharp
8:29 to 8:37 higher-pitched synthesized (sounds like the wind blowing)
8:38 chord change to A
8:42 return to A sharp
8:48 chord change to D
8:52 chord change to C (or C sharp, not sure)
8:57 return to A sharp
9:10 chord change to A
9:15 return to A sharp
9;27 chord change to A
9:32 return to A sharp; a lower murmur begins
9:40 chord change to A; higher wind-like sound
9:45 return to A sharp; lower murmur
9:53 chord change to A
9:58 return to A sharp; lower murmur
10:10 chord change to A
10:14 return to A sharp
10:26 chord change to A
10:30 return to A sharp
10:41 chord change to A
10:45 return to A sharp
10:56 chord change to A
11:01 return to A sharp
11:03 higher-pitched synthesized sound begins
11:12 chord change to A
11:17 return to A sharp (with low murmur)
11:22 to 11:28 More low murmuring
11:28 chord change to A
11:32 return to A sharp
11:37 to 11:42 distorted medium tone murmuring
11:43 chord change to A
11:47 return to A sharp
11:58 chord change to A
12:02 return to A sharp
12:08 to 12:12 more low murmuring
12:12 chord change to A
12:18 return to A sharp
12:30 chord change to A
12:34 return to A sharp
12:43 slightly higher-pitched wheezy sound
12:47 chord change to A
12:51 return to A sharp
13:03 chord change to A
13:07 return to A sharp
13:13 to 13:18 still another slightly muffled mid-lower murmur
13:18 chord change to A
13:22 return to A sharp
13:32 chord change to A
13:36 return to A sharp
13:43 higher distorted wind sound
13:47 chord change to A
13:51 return to A sharp
14:00 higher sound (wee wee)
14:03 chord change to A
14:07 return to A sharp
14:18 chord change to A
14:22 return to A sharp
14:30 higher sound (wee wee)
14:34 chord change to A
14:38 return to A sharp
14:45 higher sound (wee wee)
14:50 chord change to A
14:54 return to A sharp
15:05 chord change to A
15:10 return to A sharp
15:26 standard guitar riff stops; just humming noise now
15:31 high wind sound
15:33 different type of riff starts
15:42 chord change to D
15:43 chord change to C (or C sharp, not sure) but faster this time
15:45 return to A sharp
15:50 chord change to A
15:51 return to A sharp (faster this time)
15:54 bass chord (sounds like) to E
15:57 return to A sharp
16:06 chord change to D
16:08 chord change to C (or C sharp, not sure) but faster this time
16:10 return to A sharp
16:15 chord change to A
16:16 return to A sharp (faster this time)
16:19 chord change to E (louder riff)
16:23 return to A sharp
16:23 to 16:31 repeated quicker, louder riffs (humming returns to background)
16:33 chord change to D
16:35 chord change to C (or C sharp, not sure) but faster this time
16:37 return to A sharp
16:42 chord change to A
16:44 return to A sharp (faster this time)
16:47 chord change to E
16:51 return to A sharp
17:00 chord change to D
17:02 chord change to C (or C sharp, not sure)
17:04 return to A sharp
17:09 chord change to A
17:12 return to A sharp
17:15 chord change to E (with wind sound)
17:18 return to A sharp
17:22 higher wind sound
17:25 lower murmur joins the higher wind sound
17:29 chord change to D
17:30 chord change to C (or C sharp, not sure)
17:32 return to A sharp
17:38 chord change to A
17:39 return to A sharp
17:43 chord change to E
17:46 return to A sharp
17:46 to 17:56 faster guitar riffs
17:56 chord change to D
17:58 chord change to C (or C sharp, not sure)
18:00 return to A sharp
18:04 chord change to A
18:07 return to A sharp
18:10 chord change to E
18:13 return to A sharp
18:13 to 18:23 faster guitar riffs
18:23 chord change to D
18:25 chord change to C (or C sharp, not sure)
18:27 return to A sharp
18:32 chord change to A
18:33 return to A sharp
18:37 chord change to E
18:40 return to A sharp
18:50 chord change to D
18:52 chord change to C (or C sharp, not sure)
18:54 return to A sharp
18:55 high wind sound starts
18:59 chord change to A
19:01 return to A sharp
Overall volume starts lowering
19:05 chord change to E
19:08 return to A sharp
19:12 wind sound
19:16 track fades out
((( ))))
LilHaseProductions
4 years ago
Here’s my transcription. I’m pretty certain I’ve got the exact sunn tone, and the tabs they use always follow the same chords imo.
Crank the overdrive. Max treble/presence. Use a metal rig and pedal basically.
Add this onto it.
Feedback 35% (or more depending on rig setup)
78% Dry/22% Wet Reverb. 560ms delay time,
Main riff: (played slowly obviously)
Pretty sure a second guitar is playing just open strings
A—4-3—0
E—4–3—0
A—4-3—0
D———–
F♯———-
B———–
The open part is just a guide line, it’s actually a guideline, as I said I’m pretty sure it’s in the background but there are parts where both guitars are definitely playing open at the same time.
Second riff:
A—0-0—0
E—6-5—0
A—8-7—0
D———–
F♯———-
B———–
Divine and bright (briiight)
Divine and bright (briiight)
stretch so! stretching
Divine and bright (briiight)
Divine and bright (briiight)
stretching
